Gay altarpiece showing two Adams and two Eves will be removed from Swedish church

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Gay altarpiece showing two Adams and two Eves and a transgender woman dressed as a serpent will be removed from Swedish church – in case it is offensive to transsexuals

  • A ‘gay’ altarpiece showing flirty Adams and Eves has been removed from church
  • The illustration hung in a Swedish church and also showed a transsexual in a tree
  • Artist Elisabeth Wallin creates Christian artwork LGBTQ people can identify with

By Sophie Tanno For Mailonline

Published: | Updated:

A gay altarpiece showing two Adams and two Eves and a transgender woman dressed as a serpent has been removed from a church – over fears it is offensive to transsexuals. 

Created by Elisabeth Ohlson Wallin, the photo illustration was offered to the Saint Paul Church in Malmo where it was placed to the right of the main altarpiece on the first Sunday of Advent, December 1. 

The diocese has now said it will remove it from the altar – but not because the Lutheran Church of Sweden had a problem with the gay couples.

Instead, it said it feared the painting could be interpreted as showing a transperson as evil or the devil, as a snake traditionally symbolises evil in Christianity.    

The LGBTQ altarpiece ‘Paradise’ created by artist Elisabeth Ohlson Wallin at its place in the St. Paul church in Malmo, Sweden on November 29. The illustration was removed on Wednesday

The 1.3 by 1.9 metre photograph was offered to the St. Paul's Church in Malmo, the third largest city in the country, where it was located to the right of the altar from its inauguration on December 1, 2019, the first Sunday of Advent

The 1.3 by 1.9 metre photograph was offered to the St. Paul’s Church in Malmo, the third largest city in the country, where it was located to the right of the altar from its inauguration on December 1, 2019, the first Sunday of Advent

Created by Elisabeth Ohlson Wallin, the 1.3 by 1.9 metre illustration called ‘Paradise’ was offered to St. Paul’s Church, the third largest city in the country. 

It was placed to the right of the main altarpiece on the first Sunday of Advent, December 1. 

The diocese decided to remove it from the alter on Wednesday, but not because the Lutheran Church of Sweden had an issue with the gay couples depicted.

‘The fact that there are two homosexual couples in the artwork is completely uncontroversial,’ the diocese wrote in a statement. 

‘But the fact that there is a snake, which traditionally symbolises evil, and that it turns into a transperson could lead to the interpretation that a transperson is evil or the devil.’

‘The Swedish Church can absolutely not stand for that.’

Perched in a tree in the photo illustration, which stood in Saint Paul Church in Malmo, is a transsexual woman dressed as a serpent and dangling a snake from her hand. 'The fact that there is a snake, which traditionally symbolises evil, and that it turns into a transperson could lead to the interpretation that a transperson is evil or the devil,' the diocese said in a statement

Perched in a tree in the photo illustration, which stood in Saint Paul Church in Malmo, is a transsexual woman dressed as a serpent and dangling a snake from her hand. ‘The fact that there is a snake, which traditionally symbolises evil, and that it turns into a transperson could lead to the interpretation that a transperson is evil or the devil,’ the diocese said in a statement 

Artist Elisabeth Ohlson Wallin, 58, said she was disappointed the mural had been removed from the church. 

She aims to create Christian artwork that LGBTQ people can identify with.

Ms Wallin made headlines 20 years ago for her depiction of a stiletto-wearing Jesus surrounded by 12 transvestite apostles.

The pastor of Saint Paul, Sofia Tunebro, also regretted the decision. 

‘We’ve been marrying gay couples for 10 years, and with this artwork, it was a bit like hanging up a wedding photo in the church,’ she said. ‘Elisabeth Ohlson Wallin has done so much for the integration and representation of [LGBTQ people] in the Christian world.’